Shchedryk Returns to Carnegie Hall for Centennial Performance; Revised Feb 26, 2023

I sing, therefore I am.

“A 1919 review of the Ukrainian Republic Choir in the Genevan journal La Patrie Suisse mused that the Ukrainian National Republic established its independence through the motto, ‘I sing, therefore I am.’  Ukraine continues to sing and continues to be.”  —Notes from Ukraine (carolofthebells100.org)

That choir performed for the first time in America in Carnegie Hall in 1922, during the war that ultimately led to Russia cramming Ukraine into the Soviet Union.  Ukraine had made itself an independent nation already, and was the most important Republic in the Union.  It became a democratic republic when it brought down the Soviet Union by rejecting it in favor of independence.

Ask the UN who were the first signatories to its charter in 1945.  One of them was the Soviet Republic of Ukraine, a nation by UN’s definition, as it was before it was trapped into the Soviet Union.  Ukraine was the first republic to break away from the Soviet Union, causing the collapse of that Union.  It absolutely could not survive without Ukraine.

One hundred years after that concert in 1922, on December 4, 2022, Ukraine returned to Carnegie Hall to bring us again the power of music during yet another Russian war of aggression on Ukraine, the third such attempt at the impossibility of destroying the nation and the culture of Ukraine.

“CULTURE UNDER THREAT” says the website of Notes from Ukraine (carolofthebells100.org), and then, that culture again exerts its centuries-old power to overcome the threat.  The website continues, with this inspiring statement:

Russia’s full-scale invasion of Ukraine, which began on February 24, 2022, has purposefully sought to destroy Ukrainian culture as part of its aims. Cultural sites have repeatedly been the target of attacks including works by painter Maria Prymachenko at the Ivankiv Historical and Local History Museum, the historic home and museum of Ukrainian poet and philosopher Hryhorii Skovoroda in the Kharkiv region, and the Theater of Music and Drama in Mariupol.

Just as in 1922, the Ukrainian National Republic used the soft power of music to preserve and promote Ukraine’s independence, Ukrainian artists today are once again turning to culture to communicate with the world. A 1919 review of the Ukrainian Republic Choir in the Genevan journal La Patrie Suisse mused that the Ukrainian National Republic established its independence through the motto, “I sing, therefore I am.” Ukraine continues to sing and continues to be.

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David Brooks on tap

You might enjoy this hour of David Brooks talking at the Commonwealth Club.  His new book (among several) is The Second Mountain; The Joy of Giving Yourself Away.

Recording (an hour):
https://www.commonwealthclub.org/events/2019-05-01/david-brooks-quest-moral-life
also available in a Commonwealth Club podcast

Brooks is a “moderate conservative” (he discusses this in the recording, saying he is really more of a 19th Century Whig) NY Times columnist, TV and radio pundit/commentator, book author, philosopher, and now director of a social movement called Weave: The Social Fabric Project with the Aspen Institute (weareweavers.org – you’ll like his 2-minute video on this page; find out about the project in the text under the menu bar items).

I’ve been a big fan of Brooks for many years. I once posted a comment on his Twitter page nominating him for Secretary of Reason in the next White House administration. (I don’t use Twitter anymore. Or Facebook.) But I guess it wouldn’t make sense for the government to have a Department of Reason.